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Housefull 4 Film review: This Akshay Kumar, Kriti Sanon Movie is uneven but Humorous

In a time when king, an out-and-out humor such as Housefull 4 has its work cut out.

Another bonus is that Housefull 4 extends beyond amusing since Samji stirs the pot with action and drama. The obvious standout is Akshay’s bald king Bala together with his idiosyncrasies and a viral trademark measure.

The movie is split between two eras — 1419 and 2019. To repay the huge loan, they devise a strategy to wed three millionaire sisters. Harry suffers from short term memory reduction on hearing some loud noises and frequently gets flashbacks of a life he led 600 decades back. Historical in Housefull 4, we watch Harry seeing Sitamgarh, in which it started and convincing others that they have been reborn.

The twist in the story comes when they know that they are just about to marry the wrong women, and the way the past affects their potential.

It has attempted the genre frequently previously with several levels of success while Karz, Karan Arjun, and Om Shanti Om attained cult status, others like Ek Paheli Leela and Raabta sunk.

To get Housefull 4, it’s the humor that sets it apart. The first half of this movie keeps you engaged with its time appearance and sets mounted on a lavish scale, but the second half is a downer using a poorer narrative. Even when you fast forward the next half into the orgasm, you wouldn’t miss anything.

The dialogues, with a transparent focus on rhyming, keep the laughs coming. Housefull 4 additionally references old movies and tunes in creative methods to keep you grinning. Even though Housefull 1, 2, 3 were bliss riots with different lame jokes, Housefull 4 mercifully defeats that shortcoming with elan.

He divides the display with his presence, providing a fillip to the others’ performances also. As Bala, he raises the bar but the underdeveloped nature of Harry enables him down.

Riteish Deshmukh and Chunky Pandey, who have such rapid-fire funny time, have been under-utilized from the movie, using their dialogues frequently sounding off-track. Bobby Deol looks macho and stands outside.

One of the female celebrities, Kriti Sanon does nicely — both as a princess and a female of now. Her namesake, Kriti Kharbanda brings warmth to the display through her inadequate dialogue delivery is deflecting. Pooja Hegde, who’s performing a time role again following her introduction Mohenjo Daro, is strictly ordinary. The single scene in which she pulls a joke off is if she says’In Shandon ko to sangeet mein Sirona chahiye’ at a somewhat cheeky way.

Rana Daggubati is wasted in a cameo, particularly as we’ve come to expect a lot out of him later Baahubali. Yesteryear celebrity Ranjit, senior celebrity Manoj Pahwa, and Johhny Lever are in their element. Amid this intriguing line-up, Sharad Kelkar proves to be the surprise component, and rather striking also.

While Housefull 4 songs are normal, the Ek Chumma tune was superbly choreographed. Bala — Shaitaan Ka Saala is the highlight with its weak yet tricky lyrics. A qawwali named Badla containing Rana does not fare any better.

Housefull 4 is rather the comic extravaganza that supplies you with a heavy dose of bliss this joyous season if it’s possible to keep your expectations in check. Watch it if you’re a lover of Housefull franchise also, needless to say, Akshay Kumar, that appears to be getting better with age.